3D sahneden video: kamerayı sen yönet, yapay zeka gerçekçi çeksin

IMAGE / VIDEO REFERENCE MAP
• @Video1 (3D blockout, 8s) → motion, staging and camera reference: where everything stands and moves, and the camera above all. Reproduce every camera move of @Video1 with the same direction, speed, distance and lens, and the exact timing of each cut; never turn a moving shot into a static one. Smooth subject motion into physically plausible movement. Do not copy its flat colours, boxy shapes or untextured look.
• Environment (no image): a narrow, steep-walled old Istanbul street at night in heavy rain, wet glossy cobblestones reflecting warm street lamps and shop window…. Layout follows @Video1.
Also in the scene: rain puddles on the cobblestones reflecting the lights (the cyan block); a red mid-size delivery motorbike with a bright headlight, wet and glistening in the rain (the red block bike); a delivery courier in a bright orange rain jacket with reflective stripes, dark navy waterproof trousers, black boots and a full-face… (the orange block figure).
ACTION: At night in heavy rain, a courier on a red motorbike with a teal delivery box rides down a narrow cobblestone street in old Istanbul, headlight glaring toward a low ground-level camera (0–3 s), and passes right beside it at about 2.8 s. At 3 s a hard cut…
SHOTS: 0–3s: low-angle hero shot from near the ground looking up at the orange block figure, slowly pushing in…. 3–6s cut: tracking shot following the red block bike from behind, gradually swinging around to its side as…. 6–8s cut: drone shot rising up and pulling away from the orange block figure, revealing the whole location….
LOOK: photorealistic live-action footage shot on 35mm film, natural lighting, realistic textures, subtle film grain. It is night: practical lights and cool moonlight, not daytime.

IMAGE / VIDEO REFERENCE MAP
• @Video1 (3D blockout, 6s) → motion and staging reference only: where everything stands and moves, every camera position and lens, and the exact timing of each cut. Follow its intent, not its exact keyframes; smooth all movement into continuous, physically plausible motion. Do not copy its flat colours, boxy shapes or untextured look.
• @Image1 (vehicle sheet) → an orange late-90s Japanese sports coupe with sleek headlights and a rear wing, lifted on red jack stands; this is the orange block car in @Video1.
• @Image2 (location) → environment style reference, not the exact layout: a small Japanese tuning garage with timber stud walls and OSB panels, exposed roof joists, Japanese tuning banners, a pegboard tool wall, metal shelving with stacked tyres and an oil-stained…. Layout follows @Video1.
Also in the scene: four red jack stands under the car (the red block); a low black mechanic's creeper on small caster wheels (the dark grey block); a young mechanic with curly light-brown hair, a grey tee and light-wash denim shorts, white socks and white retro sneakers (the teal block figure); a red steel toolbox with colourful screwdriver handles sticking out of the top (the red block).
ACTION: A mechanic lies on a creeper under the front of a lifted orange coupe working with his arms raised, then rolls out feet-first and lets his arms drop; at 5 seconds a hard cut to a high front-left angle.
SHOTS: 0–5s: low side angle at floor level with a wide 18mm lens, framing the mechanic's upper body as he rolls out from under the front of the car…. 5–6s cut: hard cut, then a rapid robotic-arm move swinging down from a high front-left angle toward the mechanic, wide 20mm lens.
LOOK: photorealistic live-action footage shot on 35mm film, natural lighting, realistic textures, subtle film grain. Lighting is natural daytime, not night.